Word on the street
What locals are saying
Whitney Randall's Festoon Charleston has built a real reputation in the Lowcountry market for loose, garden-forward florals — the kind that read as effortlessly romantic rather than arranged-within-an-inch-of-their-life. Signature moments include sweeping floral hoop chandeliers, bar arch installations, and pew hangings that feel grown, not assembled, and Charleston Weddings Magazine has taken notice, featuring her work at Lowndes Grove. The near-universal praise is punctuated by at least one sharp complaint about post-wedding flower handling — a bride's paid-for arrangements were taken after the event despite explicit instructions otherwise — a reminder that day-of logistics deserve the same attention as the design proposal.
loose, airy garden style as a house signatureWhitney-led vision with collaborative proposalsshowstopper installations over the dance floorresponsive through planning, occasional execution gapsKiawah and Lowndes Grove territorystrong editorial presence in the Lowcountry wedding market
In the feed
